Leuven, Alamire Foundation, 6-7 February 2025
Brussels, KBR (Royal Library of Belgium), 8 February 2025
The Low Countries and Central Europe: Historiographical Paradigms in Music and the Arts, 1400-1650
Conference in memory of Lenka Hlávková (1974-2023)
Convenor: Prof Dr Antonio Chemotti, Alamire Foundation, University of Leuven
For more information on the concept, see "Aktuelles"
Programme:
Thursday, 6 February (House of Polyphony, Alamire Foundation (Park Abbey, Leuven)
14.30-15.00: Welcome coffee
15.00-15.15
Bart Demuyt, Antonio Chemotti, Welcome Address and Introductory Remarks
15.15-15.30
Jan Ciglbauer, Paweł Gancarczyk, In memoriam Lenka Hlávková
Historiography (Chair: Antonio Chemotti)
15.30–16.00
Sarah W. Lynch (Friedrich Alexander University Erlangen-Nuremberg)
Central Europe and the Low Countries: One Region Divided by Historiographical Tradition?
16.00–16.30
Benjamin Ory (University of Leuven / Alamire Foundation)
Gustave Reese’s Music in the Renaissance and its Historiography of Central Europe
16.30–17.00
Magdalena Kunińska (Jagiellonian University Cracow)
From the ‘Golden Age’ to the National Style. Mythologisation of the Sigismund Era in Polish Historiography, Art Historiography and Theory of Art
17.00–17.30: Coffee break
17.30–18.30
Concert Utopia Ensemble (House of Polyphony)
Friday, 7 February (House of Polyphony, Alamire Foundation (Park Abbey, Leuven)
Mobility (Chair: Nicole Schwindt)
9.30–10.00
Sonja Tröster (University of Vienna)
‘Expats’ in the Habsburg Court Chapels of the Austrian Hereditary Lands: Career
Strategies, Foreignness, and Identity
10.00–10.30
Aleksandra Lipińska (University of Cologne)
‘Coarse German and More Refined Netherlandish...’: Netherandish Artists
and Netherlandish ‘Influences’ in Polish Art History of the Renaissance
10.30–11.00
Christian Thomas Leitmeir (University of Oxford)
Final Destination: Prague. Musicians from the Low Countries in
Rudolfine Bohemia
11.00–11.30: Coffee break
From Central Europe to the Low Countries (Chair: Katelijne Schiltz)
11.30–12.00
Paul Newton-Jackson (University of Leuven / Alamire Foundation)
The Low Countries as Periphery: The Circulation of Polish Dances in
North-Western Europe
12.00–12.30
Jan Ciglbauer (Charles University Prague)
Devotio Moderna in Bohemia and the Low Countries: Ideas on Content and
Dissemination
12.30–14.30: Lunch break
The North Sea and the Baltic (Chair: Bartłomiej Gembicki)
14.30–15.00
Inga Mai Groote (University of Zurich)
Multiple Centres, Periphery, or Networks? The Historiography of ‘Central’
Musical Traditions between North Sea and the Baltic in the Early 17th Century
15.00–15.30
Agnieszka Leszczyńska (University of Warsaw)
Netherlandish Traces in the Musical Culture of Gdańsk in the Second
Half of the 16th Century: Assimilation and Transformation of Imported Patterns
15.30–16.00: Coffee break
From the Low Countries to Central Europe (Chair: Paul Newton-Jackson)
16.00–16.30
David J. Burn (University of Leuven / Alamire Foundation)
The Anonymous Missa Vulnerasti cor meum in Prague, Czech National Library 59
R5117 and Munich, Bayerische Staatsbibliothek, Mus. ms. 65
16.30–17.00
Brett Kostrzewski (University of Leuven / Alamire Foundation)
Over the Alps and Back Again: The Transmission of Gaspar’s Missa O Venus bant
17.00–17.30
Bartłomiej Gembicki (Institute of Art of the Polish Academy of Sciences)
Josquin in Poland? DISCovering Franco-Flemish Music in Central Europe
Saturday, 9 February (Panorama Room, KBR (Royal Library of Belgium), Brussels)
Books 1 (Chair: Sarah W. Lynch)
10.00–10.30
Erika Supria Honisch (Stony Brook University)
Musical Miscellanies and Other Histories
10.30–11.00
Anna Cohen (Northwestern University / University of Leuven)
Illuminated Music Manuscripts in Flanders and Central Europe: A Comparative
Historiography
11.00–11.30: Coffee break
Books 2 (Chair: Brett Kostrzewski)
11.30–12.00
Paweł Gancarczyk (Institute of Art of the Polish Academy of Sciences)
The Lviv Fragments and their Repertoires: Towards Integration of European Narratives
12.00–12.30
Nicolò Ferrari (Institute of Art of the Polish Academy of Sciences)
‘The West is the Best’: The Geopolitics of Late Medieval and Early Modern Music Manuscripts
12.30–13.00: Meet the Sources: private exhibition of music sources from the KBR stacks